88 years ago today,(Feb 22)Jesus appeared to St. Faustina in her convent cubicle and directed her to “paint an image according to the pattern you see, with the signature: Jesus, I trust in You” (Diary of St. Faustina, 47-48). He attached many promises to those who venerate this image.
In a confessional — that’s where Blessed Michael Sopocko first met Sr. Maria Faustina, a humble nun with a tremendous weight upon her. The Lord had begun revealing to her His message of Divine Mercy — an urgent message that He wanted her to share with the whole world. But who would believe her? At first, no one. Not her superiors in the convent and not her previous confessors.
Sister Faustina had prayed for a spiritual director, someone to help guide her, someone who understood that what she was experiencing was real. Father Sopocko was the answer to her prayers, and eventually he became the main promoter of her revelations, the very linchpin in the Lord’s call to spread Divine Mercy throughout the world.
It was Fr. Sopocko who first instructed Sr. Faustina to keep her Diary. When Sr. Faustina told Fr. Sopocko of her visions of Jesus and His request for a new image to be painted and spread throughout the world, it was he who found the artist, E. Kazimirowski, who would paint The Divine Mercy image.
He didn’t stop there. In actions that mark the beginning of the spread of The Divine Mercy devotion, Fr. Sopocko made sure The Divine Mercy image was displayed on the Sunday after Easter, 1935, over the famous Ostra Brama gate to the city of Vilnius, Lithuania.
In a letter written by Blessed Sopocko in 1958, he gives a thorough description of the efforts to fulfill Christ’s request for the image. His long letter is translated from the Polish and quoted almost in its entirety in Pillars of Fire in My Soul: the Spirituality of St. Faustina (Marian Press, 2003), edited by Dr. Robert Stackpole, STD. Blessed Sopocko writes:
Upon my request Mr. Eugene Kazimirowski began the painting of the image on January 2, 1934. Sister Faustina of blessed memory with the permission of the Superior, Mother Irene, came once or twice a week to the painter’s studio (in the company of another sister) and imparted instructions, how this image is to look. For several months the painter was unable to satisfy the author [Faustina], who became sad on that account, and it was at this time that she wrote in her Diary: “Once when I was at that painter’s, who’s painting this image, and saw that it is not as beautiful as Jesus is, I became very sad, but I hid that deep in my heart. When we left the painter, Mother Superior remained in the city to settle various matters, but I returned home by myself, immediately I made my way to the chapel and I had a good cry. I said to the Lord: ‘Who will paint You as beautiful as You are?’ Of a sudden I heard the words: ‘not in the beauty of the color, nor of the brush is the greatness of this image, but in my grace.'”
And remember the words of Jesus to St. Faustina, “I do not reward for good results but for the patience and hardship undergone for My sake” (Diary, 86).
The Holy Trinity, the Incarnation, the Eucharist, these are holy mysteries indeed, but so, too, is the Image of The Divine Mercy, revealed to St. Faustina in the darkness of her convent cell in the city of Plock in Poland, back in 1931. She describes Christ’s promises to her regarding the image:
“I promise that the soul that will venerate this image will not perish. I also promise victory over [its] enemies already here on earth, especially at the hour of death. I myself will defend it as my own glory.”(Diary of St. Faustina,47-48)
… When St. Faustina asked our Lord about the meaning of the rays, He answered her by telling her that they signified the blood and water that gushed forth from His side on Calvary (see Jn 19:34-35):
When on one occasion my confessor told me to ask the Lord Jesus the meaning of the two rays in the image, I answered, “Very well, I will ask the Lord.”
During prayer I heard these words within me: The two rays denote Blood and Water. The pale ray stands for the water that makes souls righteous. The red ray stands for the Blood which is the life of souls …
These two rays issued forth from the very depths of My tender mercy when my agonized Heart was opened by a lance on the Cross. (Diary, 299).
The historical reference that Jesus made here is significant (“when My agonized Heart was opened by a lance on the Cross”) because they correspond to what New Testament scholars tell us about this event. The fact is that Jesus was crucified by Roman soldiers, and Roman soldiers were trained to know exactly where to stick their enemies with a lance so that the lance would pass between the ribs and pierce the heart, thereby guaranteeing instant death. In the Gospel story, the Roman soldiers were trying to make sure that Jesus was dead before they took Him down from the cross (Roman soldiers were subject to the death penalty themselves if they failed to successfully execute a criminal condemned under Roman law) so their lance passed into His side between the ribs, but went right up into His Heart (remember that they were thrusting the lance upward, from beneath the Cross). In fact, the phrase that Jesus taught St. Faustina to use in her prayer (“O Blood and Water, which gushed forth from the Heart of Jesus”) is also precisely accurate. It corresponds to the word that St. John used in his gospel for the flow of blood and water: it “gushed out.” The Roman spear evidently pierced the pericardial sack around the heart where relatively clear plasma would have collected after Jesus’ death, and also probably pierced the Heart itself, where blood had settled. The result would have been similar to the piercing of a water balloon: the blood and water “gushed forth” from His Heart. In short, the side of Christ was pierced, according to the Bible, but everything about this incident suggests that the wound in His side entered right into His Heart. …
The rays from the image are meant to transform our hearts, to “mercify” us, as Fr. George Kosicki, CSB, likes to say, so that we can give our hearts back to Him in love.
When we do open our hearts to Him with trust, then those rays and graces beam us back into deep union with the Heart of Jesus, as they did for St. Faustina herself. She writes:
He brought me into such intimacy with Himself that my heart was espoused to His Heart in a loving union, and I could feel the faintest stir of His Heart, and He of mine. The fire of my created love was joined to the ardor of His uncreated love. …
O my Master, I surrender myself completely to You, who are the rudder of my soul; steer it Yourself according to your divine wishes. I enclose myself in Your most compassionate Heart which is a sea of unfathomable mercy. (Diary, 1242 and 1450)
“Today the Lord also shows us His glorious wounds, and His Heart, an inexhaustible source of truth, of love, and forgiveness. … Saint Faustina saw, coming from this Heart that was overflowing with generous love, two rays of light that illuminated the world. “The two rays,” according to what Jesus Himself told her, “represent the blood and the water” (Diary, 299). The blood recalls the sacrifice of Golgotha, and the mystery of the Eucharist. The water, according to the rich symbolism of the Evangelist St. John, makes us think of Baptism and the Gift of the Holy Spirit (cf. Jn 3:5; 4:14).
Through the mystery of this wounded Heart, the restorative tide of God’s merciful love continues to spread over the men and women of our time. Here alone can those who long for true and lasting happiness find its secret.”
~St.John Paul II homily on Divine Mercy Sunday, 2001
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~Excerpted from thedivinemercy.org